PDP Is Not A Movement but an act of Game Changing
All Current Products at the Bottom 
Unauthorized Group Show  TRAUMAWIEN 2014-2016
PRODUCTS NOT PROJECTS.  WE ARE WHAT WE SELL. WE SELL WHAT YOU ARE. 
We draft mechanisms, to use state of the art Print mechanisms to create Products, raising questions:

Who do Status Updates finally belong to?  Where does Copyright start?  What the real personal, cultural, and economical worth?  
Who is finally profiting from social media? 
The prefix post should not in the sense of postmodernism or in this context 
Post-Histoire be understood, but rather in the sense of post-punk. so the 
Continuation of a culture that is still this culture (digital), but also 
goes by it manifests itself in the analog domain, the real world. 
Under the Post Digital is understood the conscious decision in the context of 
And to dispense the final product with respect to a digital to digital media, these 
But digital media radically and latest conditions in the 
Integrate development process.

Just like the printed book, the process of product (or object) is a 
Freezing of time and information - for us Paradoxical Print Publishers as a means and way to consider reflection. One can compare it with analog photograph or a painting, only transferred to the digital age.

PROCESS 
Engines such as CafePress, Zazzle, Pikistore, Spreadshirt are the logical continuation of Print on Demand platforms for books like Lulu or Amazon's CreateSpace. 

The selection of used - unauthorized - Tweets and Facebook Status 
updates are performed by the algorithm. In this way, taste or rating is being  
eliminated. We do this so nothing other than the platforms themselves which we apparently abuse.

ANEIGNUNG
I just like to see things used und reused — Andy Warhol, 1963
i want to encourage you to use my writing and art however you want. it is just here for you to enjoy it. you can post my poems on your blog and upload my art to your facebook. you can print or republish my writing wherever you like, with or without credit. you can modify it, then publish it. you can sell it under your own name — Steve Roggenbuck, 
2013

It’s a free concert from now on — Richard Prince

Ja was ich hier geschrieben habe macht im Einzelnen überhaupt nicht den Anspruch auf Neuheit; und darum gebe ich auch keine Quellen an, weil es mir gleichgültig ist, ob das, was ich gedacht habe, vor mir schon ein anderer gedacht hat — Wittgenstein

Von mir selber ist überhaupt nichts, ich selbst bin schon nicht von mir (dieser Satz ist übrigens von Sophie Rois geklaut) – ich habe eine Sprache antrainiert gekriegt als Kind und trainiere mir jetzt immer noch Sachen und Versatzstücke an, aber mit einer größeren Stilsicherheit — Helene Hegemann

Remix and unconditional appropriation are the key words of contemporary digital 
Cultural production. The contemporaneous author writes not long ago, he is to filter and manager of the Become data, whose only act of authorship is constantly better To inventieren filter. The author - or editor - kreirt no longer ex-nihilo, but 
sees itself as existing, material processor. 

A next generation has learned long ago, under these conditions next, in 
which copyright and copyright have become obsolete, to be productive. 
The appropriation artist is not a producer of objects, but a manipulator of 
Characters that surround him. 

In this sense, we do not present the project to serve as a central motif 
Authorization of the texts used.

EXHIBITION 

Selected products are issued in the spring of 2015. 

The randomly selected "authors of the original texts" are considered not only from 
Corporations such as Facebook or Google abused for advertising purposes, but 
can be found as a product name in the network - and be part of a group exhibition 
which no one ever asked for permission. 

PUBLISHING IS MAKING THINGS PUBLIC.
1.3 the digital information never exists in a perfect form